Rock On!! Magik
After all that I have been saying so far, after all that I have written so far, this is the only one place where it has come true. Now I know for certain that someone else shares my views and I know that people appreciate it. Now I can stand with a certain amount of conviction. What have I been saying, you ask?
Make it from the heart and you make Rock On!!
It’s just not the name of the band, but it is the whole ride that is magical. Everything is so perfect. Everything fits into everything so well. And yet it is not preachy (hearing Mr. Bansali?) and yet it touches every nook and corner of the heart. It has drama, a certain amount of (if I may use the term) suspense, a certain amount of humour, pathos and thereby, you get wholesome entertainment. No one thing or no one person has tried to hog the limelight –the actors, nor the musicians, not the cameraman, and least of all the director. And the last point that I just mentioned is as per my definition, the best value to have in a film. When a movie can be felt without the director, without the presence of a person governing everything that you see, only then does the whole process become absorbing. You lose the thread between the real and the illusionary.
I have noticed this in many Hindi films lately and of course, you will now definitely add things and understand why I talk of Indian films in most of my articles these days. I felt that this process started completely from Dil Chahta Hain and carried on through many films, right up to Johnny Gaddar. As soon as the director becomes invisible, the movie becomes enjoyable. That is also primarily the problem with movies like Black and to name the most recent one, The Last Lear. Obsessive, self-focused directors more often than not, mar their own movies.
But back to the song that we have on hand as of this moment, I think we were discussing Rock On!! And I still need to tell you what a wonderful picture it is. I won’t divulge the story, because that is something I never do, and no one really reads this site – so that is just a lot of hard-work for no actual purpose. But anyways, we all need to Rock On!!
What makes this movie so great within its own story line and onomatopoeic existence is the marvel of the flow. The to-and-fro screenplay is so well written that there is never a nagging thought left somewhere at the back of your mind as to what happened where. The flow is completely sanguine and comfortable. And it is not an easy story to tell. It flows at two parallel levels and it manages to focus on both, without leaving anything abrupt. That is the power of a magical story-teller. For instance, if you compare this to Benegal’s Trikaal, you will understand what I am getting at. Trikaal focuses on the retelling of a story by a man who has come back home. Therefore there is no parallel track that lies in the movie. The whole story is set in the past. Here, the attempt is different. Past events lead up to the future and a unilateral progression would make the whole feature boring and monotonous. By keeping both sides of the coin at bay, the whole system is wonderfully created.
The dialogues by Farhan Akhtar are also of top quality. They are not poetry, and that is the point. They are what we speak, what we here. No corny euphony, no stereotypical catch-lines, no slumbered rhetoric – just plain and simple speech and dialogue. I saw that in a Hindi movie after a long, long time. Brilliant!
And that is just the point that I am making. Every aspect of film making has delivered to the T. All right, everyone is going to say that Akhtar sang badly. But every heard any singer in a live performance? At least the ones who sing on stage and don’t lip-sync? If you have, you’ll know what I mean... His songs therefore give me another high before the changing face of Hindi cinema. The attention to detail is immaculate.
Obviously, it goes without saying that all the roles were performed magnificently. The characters were sketched in truism and the players played it to perfection. Farhan Akhtar was a revelation and now he will be a joy to watch both in front and behind the camera. Arjun Rampal has gone miles in these last few years. The sentimental artist is written all over his face and to his credit, he seems to have also learnt some simple guitar chords. Luke Kenny, as well all know, is a master of all trades. And he never seemed to have become a rolling stone. And Purav Kohli – man, you really are a Killer Drummer!
Finally, a rock film which does justice to the genre. Not just a hotch-potch with stupid songs all claiming to be rock songs – you know, people screaming and banging their heads... That’s metal, Rock On!! is pure and simple rock!
Rock On!!
Make it from the heart and you make Rock On!!
It’s just not the name of the band, but it is the whole ride that is magical. Everything is so perfect. Everything fits into everything so well. And yet it is not preachy (hearing Mr. Bansali?) and yet it touches every nook and corner of the heart. It has drama, a certain amount of (if I may use the term) suspense, a certain amount of humour, pathos and thereby, you get wholesome entertainment. No one thing or no one person has tried to hog the limelight –the actors, nor the musicians, not the cameraman, and least of all the director. And the last point that I just mentioned is as per my definition, the best value to have in a film. When a movie can be felt without the director, without the presence of a person governing everything that you see, only then does the whole process become absorbing. You lose the thread between the real and the illusionary.
I have noticed this in many Hindi films lately and of course, you will now definitely add things and understand why I talk of Indian films in most of my articles these days. I felt that this process started completely from Dil Chahta Hain and carried on through many films, right up to Johnny Gaddar. As soon as the director becomes invisible, the movie becomes enjoyable. That is also primarily the problem with movies like Black and to name the most recent one, The Last Lear. Obsessive, self-focused directors more often than not, mar their own movies.
But back to the song that we have on hand as of this moment, I think we were discussing Rock On!! And I still need to tell you what a wonderful picture it is. I won’t divulge the story, because that is something I never do, and no one really reads this site – so that is just a lot of hard-work for no actual purpose. But anyways, we all need to Rock On!!
What makes this movie so great within its own story line and onomatopoeic existence is the marvel of the flow. The to-and-fro screenplay is so well written that there is never a nagging thought left somewhere at the back of your mind as to what happened where. The flow is completely sanguine and comfortable. And it is not an easy story to tell. It flows at two parallel levels and it manages to focus on both, without leaving anything abrupt. That is the power of a magical story-teller. For instance, if you compare this to Benegal’s Trikaal, you will understand what I am getting at. Trikaal focuses on the retelling of a story by a man who has come back home. Therefore there is no parallel track that lies in the movie. The whole story is set in the past. Here, the attempt is different. Past events lead up to the future and a unilateral progression would make the whole feature boring and monotonous. By keeping both sides of the coin at bay, the whole system is wonderfully created.
The dialogues by Farhan Akhtar are also of top quality. They are not poetry, and that is the point. They are what we speak, what we here. No corny euphony, no stereotypical catch-lines, no slumbered rhetoric – just plain and simple speech and dialogue. I saw that in a Hindi movie after a long, long time. Brilliant!
And that is just the point that I am making. Every aspect of film making has delivered to the T. All right, everyone is going to say that Akhtar sang badly. But every heard any singer in a live performance? At least the ones who sing on stage and don’t lip-sync? If you have, you’ll know what I mean... His songs therefore give me another high before the changing face of Hindi cinema. The attention to detail is immaculate.
Obviously, it goes without saying that all the roles were performed magnificently. The characters were sketched in truism and the players played it to perfection. Farhan Akhtar was a revelation and now he will be a joy to watch both in front and behind the camera. Arjun Rampal has gone miles in these last few years. The sentimental artist is written all over his face and to his credit, he seems to have also learnt some simple guitar chords. Luke Kenny, as well all know, is a master of all trades. And he never seemed to have become a rolling stone. And Purav Kohli – man, you really are a Killer Drummer!
Finally, a rock film which does justice to the genre. Not just a hotch-potch with stupid songs all claiming to be rock songs – you know, people screaming and banging their heads... That’s metal, Rock On!! is pure and simple rock!
Rock On!!
13 comments:
Simplicity certainly is the key here. All the characters are 'real' because there is not a single jarring note in the way they have been portrayed. You are right, it is straight from the heart. I particularly liked Shahana Goswami's performance. Every character has a space of its own and they all fit into it brilliantly well. No body acts, its all natural. You don't have to make an effort to watch it. It is just like a majikal ride you are on and you Rock On!!
farhan akhtar sings good! i liked his voice! he is not that bad.. and for a first time singer i think it was awesome!i dont think there is actually any director, actor, and singer, who can do all three of them and that too that admirably. he seems to be doing all three without much effort! so easy they come to him!
Hitesh,
As I keep saying, he is the answer to a lot of our hopes... He is the single chance that we have at reclamation. No one is this talented. No one has this vision. This man is the real king of Indian Cinema.
Subhojit
"First time singer" the term doesn't make sense to me hitesh.
The movie was real. For someone who wanted to be a singer and nothing else some 2 yrs ago it said - "wake up and rock on!!" ( did or not is another matter!!)
Farhan akhtar's voice was real. Perfect doesn't work for me anyway so he was someone whose voice you hear everywhere.. But honestly.. he has GOOD CONTROL on his chords, and his singing was as honest as his acting here, or film making elsewhere. SEL gave the movie its edge. Honestly a movie about music can't survive if they hadn't composed it with blood, sweat, soul and heart!
Arjun Rampal definitely took the cake. As much as you say nobody takes over magic, his role was etched to beauty, i fell in love with him all over again!
We loved it..dint we? both the movie and your narrative..It was such a smooth bit of journey, watching it..No slips from real to illusionary, it was all so real.
Also, i have to mention the lyrics of the songs. So everyday and things you can really relate to. An excellent way of rebellion has been explored to the fullest in this movie- Music.!
i still havnt seen the movie.
The trailers made the movie look so pretentious.....
I like the music though
Ankita: "Wake up and rock on" is not an option. Its a dictum. And it has to be followed. Everyone does not get a second chance is what the movie told us. So get up and grab that microphone. Even if you have to sing for Dandiya festivities. With the Magik, albeit Ankita touch! Rock on girl! Be what you want to be, not what you are forced to be...
Subhojit
Prateek: There is an old saying, "Do not judge a book by its cover." So don't jump to conclusions by reading a review or watching a promo. Watch the movie and then if you feel like it, you are always welcome to not like it. I crapped on Black, remember? Not because I hated Bansali from the start, but because I saw the movie (slept off actually). Watch it, its just a couple of hourse that you're going to lose!
Greetings Subho da!
I'd thought you of all people would crap on this one as well. but lo and behold! :) honestly, i didn't get what the fuss was all about the first time i saw it, it was the virus speaking then. i loved it the second time however. a revelation. akhtar was good. arjun rampal was beautiful. it's the kind of stuff that can touch any soul that responds to any kind of music. and it brought to me the kind of high that had been missing for a while. truly beauteous! cheers.
PS- i made the mistake of watching Fashion today. It's not worth your attention, but if you do write about it, it will be immeasurably enjoyable. :)
Fashion was terrible.. Don't bother....
:)
saw the movie.
that farhan guy can act - and how!
luke kenny on the other hand, cant. To save his live even!
farhan's wife in the movie, pissed me off to-the-core.
the Concerts have been shot quite well, without making the band members look like idiots (since they dont know their instruments in real life)
I was very happy after watching Rock on. The movie had it all-entertainment,comedy,emotions,love.
Arjun's acting as a resigned has been rocker was just too good and as his wife-the lady who played that seemed as if she was cranky in real life too, her acting was that realistic
Farhan with his sorta roughish hoarse voice was a big risk but he did his job well.
Must watch flick no doubt..
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